![]() ![]() The process scrutinizes grammar, spelling, punctuation, and usage. This is the kind of editing most people think of when they think of book editing, the kind that remedies typos and spelling errors and grammatical bobbles.Ĭopyediting makes your writing clean and correct. While developmental edits focus on your story, language edits focus on your writing itself. An evaluation or assessment is a great alternative if you don’t have the budget for a full developmental edit. Instead, you’ll receive a thorough editorial report or editorial letter-a big, juicy report outlining the strengths and weaknesses of your novel. (I call mine developmental assessments.) They’re less time-consuming and expensive than developmental edits because the editor doesn’t work directly on the manuscript itself. Manuscript evaluations are often also called assessmentsor critiques. Quicker and more affordable than developmental editing is the manuscript evaluation, another type of editing that focuses on your story. It is one of the most expensive and time-consuming editorial services. These are the techniques you use to steer your story, including point of view, transitions and hooks, dialogue tags and beats.ĭevelopmental editing is also known as content editing, structural editing, story editing, and sometimes substantive editing. Developmental editing also helps you polish your narrative technique. Your editor examines the structure of your story (including the plot, characters, and conflict) and makes recommendations and suggestions on how you can make it stronger. There are two types of editing: the kind that looks at your story, and the kind that looks at your writing itself.ĭuring developmental editing, your editor analyzes your story to ensure it has an engaging, satisfying structure that will keep readers turning pages all the way to the end. So how do you talk to an editor about what your manuscript needs if you can’t even be sure you’re talking about the same services? Here’s where to start the conversation. Heck, even the bastions of the editorial industry can’t agree whether to spell the term copy editing, copyediting, or copy-editing. Nor is it a case of Americans using one term and Brits using another. It’s not a battlefield pitting the conventions of the news media against those of the publishing industry. ![]() ![]() This isn’t just a situation of traditional publishers calling certain editing one thing and self-publishers calling it another. If you clicked on this article hoping to finally figure out the difference between line editing and copyediting, allow me to break it to you: there are no industry-wide definitions of editing types that everyone agrees on. ![]()
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